Art: Model for 'Terminal' - Richard Serra
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Ernie Barnes (1938–2009) was an American painter, professional football player, and artist known for his dynamic, elongated figures and depictions of African American life. Born in Durham, North Carolina, Barnes studied art at North Carolina College (now North Carolina Central University), although
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Ernie Barnes' subject of dunking basketball players were made famous by the similar and highly-reproduced 1971 painting High Aspirations.
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Mesmerising and luminous because of, rather than despite, an economy of means, Infinity-Nets (UAFE) belongs to Yayoi Kusama’s most ethereal and vaporous series of paintings which have formed the cornerstone of her artistic practice. The canvas is covered by an interlinking network of unique, monochr
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In 1983 Keith Haring had his first and only exhibition at Robert Fraser Gallery in London and before the show opened, on a panel above a door in the gallery, he drew this work. For the exhibition he also drew on the walls of the gallery. It is possible to find the exhibition card or poster online. O
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Of the 7 black and white screenprints on paper created by Bridget Riley in the 1960s, Oval Image of 1964 is the hardest to find. Only the fourth print she ever made, and the third to be published, it was also the first work printed by Kelpra Studio for the artist, a famous collaboration that endured
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Tracey Emin was born in Croydon, England, in 1963 and grew up in Margate. She studied fashion at the Medway College of Design from 1980 to 1982 before completing a degree in printmaking at Maidstone College of Art in 1986. In 1987 she began postgraduate studies at the Royal College of Art in London,
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Balancing idealism and realism, Jenney’s landscape paintings are highly stylised and rendered with a careful attention to detail. Begun in 1971, the Good Paintings are differentiated from Jenney’s previous body of work, which he designated as Bad Paintings (1969–70) after curator Marcia Tucker’s 197
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Neil Jenney was born in Torrington, Connecticut in 1945. He studied at the Massachusetts College of Art between 1964 and 1966 before relocating to New York City in 1966, where he has lived and worked since. Early on, he supported himself with various jobs, including driving a taxi, while continuing
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“One day, after gazing at a pattern of red flowers on the tablecloth, I looked up to see that the ceiling, the windows, and the columns seemed to be plastered with the same red floral pattern. I saw the entire room, my entire body, and the entire universe covered with red flowers, and in that instan
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David Hayes was an American sculptor based in Coventry Connecticut. He studied sculpture under the great David Smith at Indiana University Bloomington, from where he graduated in 1955.He received both a post-doctoral Fulbright Award and a Guggenheim Fellowship. as well as the Logan Medal of the Arts
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Keith Vaughan was a British painter, writer and, early in his career, a key figure in post-war Neo-Romanticism. His later, highly individual work, was concerned with the figure in the landscape and his style hovered midway between abstraction and figuration.Born in Sussex, the largely self-taught ar
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Prunella Clough studied at Chelsea School of Art from 1938 where her tutors were influential artists of the day including Ceri Richards, Julian Trevelyan and Henry Moore, and later she also studied part-time at Camberwell School of Art with Victor Pasmore. She began exhibiting small still-lives and
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Victor Pasmore was a British artist and a pivotal figure in the development of abstract art in the United Kingdom, renowned for the radical and controversial shift he made from figurative painting to pure abstraction. His career showcased a deep intellectual curiosity and a relentless drive for arti
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Ivon Hitchens was a pioneer of the abstracted vision of the landscape that is one of the key ideas of British Modernism in the 20th Century. He was a founding member of the Seven & Five Society, the influential group of painters and sculptors, that was responsible for bringing the ideas of the E
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In Rachel Whiteread’s sculptures and drawings, everyday settings, objects, and surfaces are transformed into ghostly replicas that are eerily familiar. Through casting, she frees her subject matter—from beds, tables, and boxes to water towers and entire houses—from practical use, suggesting a new pe
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Peter Sedgley was a British artist, born in London in 1930, whose pioneering career was defined by his innovations in the Op art and Kinetic art movements. A self-taught artist, his path was far from conventional; he initially trained in architecture and spent time in the RAF before leaving to pursu
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Although most of Henry Moore's maquettes were made for the development of larger sculptures, some were self-sufficient works and, during this period, were from a time when Moore's imagination was pouring out projects and sketchbooks reflecting his excitement at the potential of sculptural forms and
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Henry Moore, a monumental figure in 20th-century art, was born into a working-class family in the mining town of Castleford, Yorkshire, in 1898. His father was determined that his sons would not follow him into the mines, so Moore was initially encouraged to train as a teacher. He enlisted in the Br
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Anthony Hill (also known as Achill Redo) was a principal theorist of the constructionists, a group of established British artists who had turned towards abstraction, centred around Victor Pasmore. By the mid-1950s he had rejected painting and adopted relief construction. Embracing Duchamp’s idea of
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David Hockney and Water“Water, the idea of drawing water, is always appealing to me. If it’s clear water anyway, transparent water. You can look on it, through it, into it, see it as volume, see it as surface…the idea of representing it has always rather fascinated me and I keep going back to it."On
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In 1965 Riley took the bold step of attempting to print directly onto Plexiglas, a form of transparent plastic. Artists in the early Sixties had left post-war austerity behind them and were inspired by the sense that they were creating a brave new world. “We were excited about trying new materials -
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Bridget Riley made her first print, the now famous black-and-white warped checkerboard Untitled [based on Movement in Squares], in 1962 at the insistent request of a colleague from the advertising agency for which she was working. Movement in Squares became a defining image of the Swinging London st
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