Art: Study in Watercolour #1 (In Green and Blue) - Robert Motherwell
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Frankenthaler’s series Thanksgiving Day comprises a series of 71 ceramic tiles, each unique, and painted over the Thanksgiving weekend of 1973. Painting over a holiday was typical for Frankenthaler: ‘It’s just for the time I am totally creating a work. I am obsessed and the energy flows, the adren
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This small painting of a composite Seated Figure / Table Still Life by William Scott is from a collection of two sketchbooks and a few loose drawings by the artist, which are recorded in the William Scott Foundation Archive no. 1777. Following a failed effort to sell the archive in its entirety to
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From its first appearance in his artists’ book Twentysix Gasoline Stations in 1963 and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station features further in 5 master prints made by Ed Ruscha between 1966 a
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Rendered in a saturated palette of turquoise and sun-kissed yellow, Green Pool with Diving Board and Shadow of 1978 is one of fifteen unique variations of one of David Hockney's most iconic subjects. Inspired by the glistening swimming pool belonging to old friend and graphic designer, Kenneth Tyl
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From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
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The evocation of memories and experiences of a place became a significant leitmotif in Scott’s oeuvre, especially in his resonating abstracts. In 1960 Scott met Stanley Jones, the master printer of London’s Curwen Studio, who was to take Scott’s printmaking in rewarding new directions. Jones showe
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This tender image of Françoise Gilot was made by Picasso three days after the birth of their son, Claude, and is one of three such portraits dating from May and June of 1947.
When Françoise first met Picasso, in a restaurant in 1943, she was only 21 years old: Picasso, at 61, was almost thrice h
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Picasso's Still Life works, whether in oil, pencil, lithograph or linocut, provided an equally important outlet for his creativity. Fine prints such as Nature Morte au Pot de Grès satisfied the artist's need to distribute his ideas in a variety of media, and compare directly to paintings such as N
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From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
https://www.archeus.com/artists/art-for-sale/ruscha-standard-station
Between 1967 and 1973, Agnes Martin made a single body of work, the series of 30 screenprints entitled On a Clear Day. These are the only prints she ever made.
This example presented as originally exhibited by The Pace Gallery in 1973, in original brushed aluminium frame and mounted in a window
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Between 1967 and 1973, Agnes Martin made a single body of work, the series of 30 screenprints entitled On a Clear Day. These are the only prints she ever made.
This example presented as originally exhibited by The Pace Gallery in 1973, in original brushed aluminium frame and mounted in a window
https://www.archeus.com/artists/art-for-sale/martin-on-a-clear-day-03
Between 1967 and 1973, Agnes Martin made a single body of work, the series of 30 screenprints entitled On a Clear Day. These are the only prints she ever made.
This example presented as originally exhibited by The Pace Gallery in 1973, in original brushed aluminium frame and mounted in a window
https://www.archeus.com/artists/art-for-sale/martin-on-a-clear-day-07
Between 1967 and 1973, Agnes Martin made a single body of work, the series of 30 screenprints entitled On a Clear Day. These are the only prints she ever made.
This example presented as originally exhibited by The Pace Gallery in 1973, in original brushed aluminium frame and mounted in a window
https://www.archeus.com/artists/art-for-sale/martin-on-a-clear-day-02
From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
https://www.archeus.com/artists/art-for-sale/ruscha-mocha-standard
One of the original source photographs from Twentysix Gasoline Stations which Ed Ruscha would develop for the Standard Station series.
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Ruscha's 1969 book Crackers is based on a short story by Mason Williams, How to Derive the Maximum Enjoyment from Crackers, which is printed in tiny text on the back cover of the book.
'Starring' Larry Bell in a series of fim still-like photographs, Crackers instructs the reader to perform a sur
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From an early stage, Allen Jones was concerned with creating works in which male and female figures overlapped in curious, surreal, pictorial constructions. These pictures were developed from the artist's interest in the physical relationship and balance of male and female power as explored in the
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The Dancers first appeared as characters in Botero's work in the 1980s, in his drawings and in paintings. By 1990, however, he began creating a sculpture of the motif, monumental casts of which were then placed in Park Avenue, New York and Champs d'Elysees to popular acclaim. Four further versions
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Los Angeles Interior was drawn by David Hockney in 1967, at the same time as one of his most iconic California paintings, A Bigger Splash, held by the Tate. Hockney was teaching at the University of California in Berkeley, and spent much of his time drawing interiors, street scenes of low modernis
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Motherwell's fascination with black started when he was working on the Elegies and carried on throughout his career. The artist stated: ‘I discovered Black as one of my subjects – and with the black, the contrasting white, a sense of life and death which to me is quite Spanish. They are essentiall
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From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
https://www.archeus.com/artists/art-for-sale/ruscha-standard-station381
https://www.archeus.com/artists/art-for-sale/soulages-peinture-15-1-53
In excellent condition
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Examples of this lithograph are held in the permanent collections of MoMA, Cleveland Museum of Art, the National Gallery of Victoria, Melbourne and the National Gallery of Australia, amongst others.
In excellent condition.
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In excellent condition.
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In excellent condition.
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Examples of this lithograph are held in the permanent collections of MoMA, Smithsonian American Art Museum, Cleveland Museum of Art, the National Gallery of Victoria, Melbourne and the National Gallery of Australia, amongst others.
In excellent condition.
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David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printin
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Complete with artist's copper tag, inscribed 'S.606 / 60' and marked with the Asawa blindstamp.
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From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
https://www.archeus.com/artists/art-for-sale/ruscha-cheese-mold-standard-with-olive
Before creating this book, Ruscha had considered making a book called Seventeen Hollywood Palm Trees, for which he mocked up several cover designs. The original project, which was never realised, evolved into A Few Palm Trees. According to the artist's introductory caption, the camera faced west o
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This artist's book documents the "road testing" of a Royal typewriter, thrown from the window of a moving car. The book records the test site, point of impact, results of the "test" and the collaborators.
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x
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Scott was paintings master at the Bath Academy of Art in Corsham for fifteen years, before successfully exhibiting in America and representing Britain in the Venice Biennale in1958. His still life painting gradually moved from figurative renderings of familiar objects on a kitchen table - pots, pa
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Cornell often made series of boxed assemblages that reflected his various interests. He collected items related to hotels in Europe which he had never visited, creating imagined memories for himself and the viewer.
Aside from the Hotel series, famous themes include the Soap Bubble Sets, the Medi
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Of the three etchings of dogs completed by Lucian Freud, Eli is the largest in scale and is considered one of the artist's masterpieces in print. Eli has rarely been offered for sale at auction, only three times in fact. Most notably a proof from the Marc Balakjian collection was offered by Christ
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Pierre Soulages' early works, those of the late 1940s and early 1950s, employ dynamic, gestural strokes to describe linear, almost calligraphic patterns in rich impasto upon their surfaces. From the beginning, the presence of black in Soulages' work, either as a linear device or as an overall conc
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In 2005, the Zoo Portfolio was published by ARCHEUS to assist with fundraising for the now defunct Zoo Art Fair, the first Frieze satellite fair which was set up to showcase very new emerging galleries and artists. Curated by David Thorp, the portfolio was very early to realise the importance of,
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This work was created to accompany the 1966 republication of Fontana's famous manifesto Documenti e Personaggi 1: Manifiesto Blanco 1946, by Galleria Apollinaire in Milan. This important book was the last publication of Fontana's for a retrospective/homage to his work at the Galleria Apollinaire.
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This etching is a portrait of the poet, Angus Cook, and is related to a charcoal drawing of the same subject, 'Head of a Man', charcoal, 1986, in the collection of MoMA, New York.
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Sam Francis’ categorically breathtaking Deep Blue and Black of 1955 broadcasts a divine vibrancy and emotive fervour that firmly positions it as amongst the very best of his remarkably prolific oeuvre. Intoxicating in its sheer dynamism, the churning intensity of this superb painting’s surface dec
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Rendering the ubiquitous Californian greeting "Hey" was an early preoccupation for Ruscha, and explorations of this word punctuate the artist's output throughout the 1960s. Notable amongst these are Hey with Curled Edge (1964), an ink and graphite work in the collection of MoMA, New York, and the
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Titled Marsh Field House, Mass., this painting by Nesbitt depicts the interior of Isaac Winslow House, Marshfield, Massachusetts, built in 1699. It is the ancestral home of Marshfield's founding family, and was considered an avant-garde South Shore mansion. Still in largely original state, the Isa
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Camel is a work of 2004 by Sebastian Gögel, typical of the witty surreal evocations conjured by his hyperactive imagination. Typical also in its atypicality, Camel is a product of an artist who is wantonly various in his output.
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