Art: Gooseberry Cottage from the Orchard -
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Searched for Total results: 1350.
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This watercolour study of the mountainous Pembrokeshire landscape is very typical of Sutherland's work in the late 1930s, and relates to a group of paintings including Welsh Landscape with Roads in the Tate Gallery, London.
https://www.archeus.com/artists/art-for-sale/sutherland-landscape-in-wales
https://www.archeus.com/artists/art-for-sale/beech-dumpster-drawing-109
Possibly related to 'The Builders' of 1935 (Bell 169)
https://www.archeus.com/artists/art-for-sale/spencer-untitled324
Two small sketches on the reverse of the drawing are titled 'Kit Inspection' in Spencer's hand, and are studies for his Burghclere Chapel mural, therefore dating this work to approximately 1925.
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This sheet of figures studies, although single-sided, is particularly noteworthy for having been sketched on the reverse of a letter from Humphrey Brooke, Secretary of the Royal Academy, dated April 1953. The document is a covering letter for the enclosure of tickets, and request for ticket Nomina
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This drawing of a Still Life with Table and Pans by William Scott is from a collection of two sketchbooks and a few loose drawings by the artist, which are recorded in the William Scott Foundation Archive no. 1777. Following a failed effort to sell the archive in its entirety to the Tate Gallery t
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This drawing of a Still Life with Table and Pans by William Scott is from a collection of two sketchbooks and a few loose drawings by the artist, which are recorded in the William Scott Foundation Archive no. 1777. Following a failed effort to sell the archive in its entirety to the Tate Gallery t
https://www.archeus.com/artists/art-for-sale/scott-untitled321
https://www.archeus.com/artists/art-for-sale/newcomb-women-and-shells-connemara
The first of an award-winning series of five paintings, this work received a prize at the 23rd John Moores Exhibition at the Walker Art Gallery, Liverpool in 2004.
The artist says of this series: 'This park is both central to the city and at its edge; a parallel landscape with a boundary, famili
https://www.archeus.com/artists/art-for-sale/pickstone-the-park-no-i
Originally created for the Zoo Latin American Portfolio 2006, curated by Adriano Pedrosa and published by Archeus, this portfolio of 15 screenprints by El Taller Popular de Serigrafia was printed in an edition of 30. Each portfolio is unique, and comprises 15 different screenprints from over 70 de
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This small model, conceived by Carla Zaccagnini, is of a sculpted man who is essentially making himself by pouring liquid metal into his own cast. The model was executed by Roy Eastland, an artist and ex-model maker for Games Workshop who 'enjoys' something of a cult status in the model-making wor
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Originally created for the Zoo Latin American Portfolio 2006, curated by Adriano Pedrosa and published by Archeus.
"Concentration, 2008, a photo of the artist's finger and a finger-shaped bar of Chinese ink from Beijing, refers to the myth of King Midas, but could also be read as the artist's im
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Ikezoe's major 2008 work 'Angels' is a lyrical adventure, depicting the struggle of the fallen angels to reclaim their wings.
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In creating this work, Leciejewski constructed a makeshift camera from a scanner. During a controlled exposure, he passed his hand back and forth repeatedly in front of the scanner in a dark room. The results of the exposures, seen as stripes of interference, are always wildly different despite th
https://www.archeus.com/artists/art-for-sale/leciejewski-streifen-geraden-07
Lichtfenster (Light Window), is inscribed on the reverse 'Hommage à Albers', and is Mack's tribute to the Bauhaus professor Josef Albers, creator of the famed Homage to the Square series. Created with light-reflecting, mirrored aluminium tape the work is in constant movement, ordering the reflecti
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After a two year absence from the medium, Hughie O'Donoghue returned to printmaking in 1991 as Artist in Residence of The National Gallery in London. The Gallery was publishing a portfolio of prints celebrating their Artists in Residence programme, and O'Donoghue chose to respond to Titian's The D
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This image is by far the largest and most ambitious of the four prints of a head produced by Hughie O'Donoghue in 1988. The image relates to Sleeper I, a masterpiece of a painting by the artist from 1986.
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Recoil, of 1989, is Hughie O'Donoghue's only photogravure print. It relates to a series of paintings entitled Fires, and can be read as a recoiling snake with its mouth open. In each of the Fires paintings a serpent appears on the right-hand side of the painting. The photogravure process involved
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The Round Lake belongs to a second pairing of prints of crows made by the artist. Whereas Crow I and Crow II were variants of the same image, The Round Lake and Round Lake II (completed two years later) are, at first glance, only loosely related. The image of the crow in The Round Lake originates
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The Round Lake II was started in 1991, but it was two years until the artist took up the plate again to finish it. A much more complex image strains the relationship of this work and The Round Lake to the point where it is difficult to regard them in any way, apart from title, as a pair. The head
https://www.archeus.com/artists/art-for-sale/odonoghue-the-round-lake-ii
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-wagons-to-rouen
Following A Line of Retreat, the series of ten works charting the dramatic egress of his father, and the British Army's, from France during 1940, this period of history would inform O'Donoghue's work almost entirely for the next decade. The series was conceived after the artist came into possessio
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From 2002-2007, Masuyama created a body of work which considered the experience of travelling long distances by air. On various flights, Masuyama fixed his camera to the window of the 'plane, taking a picture every 20 seconds for the duration of the trip. From several hundred photographs he compos
https://www.archeus.com/artists/art-for-sale/masuyama-miami-anchorage-no9
The Descent etchings come from Hughie O'Donoghue's first sustained period of printmaking in 1988-89 and relate to a group of drawings by the artist on the theme of The Descent from the Cross. These works are notable for the artist's exploration of etching techniques within them, inspired by his st
https://www.archeus.com/artists/art-for-sale/odonoghue-descent-i
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-a-monument-in-rouen
Mute relates to a group of drawings which became the exhibition Thirteen Drawings from the Human Body, at Jill George Gallery, London 1993, and specifically to a drawing within the group titled Utter.
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Gaze relates to a group of drawings which became the exhibition Thirteen Drawings from the Human Body, at Jill George Gallery, London 1993, and specifically to a drawing of the same name.
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This work relates directly to a print from A Line of Retreat and several paintings of the same subject, titled North of Rouen, South of the Somme - A Crossroads in France.
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The bicentennial portfolio tribute, For John Constable, published by Bernard Jacobson in 1976 included this work by Howard Hodgkin, as well as works by Peter Blake, Bill Brandt, Barry Flanagan, Duncan Grant, David Hockney, John Hoyland, Richard Smith and others. Luke Howard, a distant relation aft
https://www.archeus.com/artists/art-for-sale/hodgkin-after-luke-howard
Related to a drawing of the same name, Compression was created over a process of no fewer than six states before the artist was content with the dark balance of the work.
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The Way Home marks O'Donoghue's first use of the medium of carborundum, which he would use to masterly effect two years later in his 1997 series of 10 prints A Line of Retreat. The Way Home depicts the artist's house in Ireland, glimpsed amongst trees from the end of a long road on a dark, windy n
https://www.archeus.com/artists/art-for-sale/odonoghue-the-way-home
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-a-road-west
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-clay-feet
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-death-or-glory-i
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-death-or-glory-ii
The Descent etchings come from Hughie O'Donoghue's first sustained period of printmaking in 1988-89 and relate to a group of drawings by the artist on the theme of The Descent from the Cross. These works are notable for the artist's exploration of etching techniques within them, inspired by his st
https://www.archeus.com/artists/art-for-sale/odonoghue-descent-vi
From the series of ten works forming A Line of Retreat, charting the dramatic egress of O'Donoghue's father, and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, and would inform his work alm
https://www.archeus.com/artists/art-for-sale/odonoghue-german-tanks-forges-les-eaux
The series of ten works forming A Line of Retreat charts the dramatic egress of O'Donoghue's father and the British Army, from France during 1940. The series was conceived after the artist came into possession of journals left to him after his father's death, which would inform his work almost ent
https://www.archeus.com/artists/art-for-sale/odonoghue-a-line-of-retreat
Before the Fourth is a portrait of society figure, actress and friend of Freud's, Annabel Mullion, pregnant with her fourth child William Ajax Baring, who was born in June 2004. Freud had painted Mullion once before, with her dog Rattler in 1998, and did so a second time a year after the present e
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https://www.archeus.com/artists/art-for-sale/castellani-estroflessione
Garden in Winter is Lucian Freud’s first large scale etching of an outdoor scene, and has its origins in the small work Landscape of 1993. Everything about Freud’s approach to this work signalled that this was to be a work of great ambition. He consulted his printer Marc Balakjian, at key points d
https://www.archeus.com/artists/art-for-sale/freud-garden-in-winter
https://www.archeus.com/artists/art-for-sale/auerbach-portrait-of-leon-kossoff
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Peter Schlesinger was an 18-year-old student at UCLA when he met David Hockney, who was teaching a summer class at the university. They began a long affair with Schlesinger travelling with Hockney between LA and London, where he enrolled at the Slade School of Art. Whilst with Hockney, he often mode
https://www.archeus.com/artists/art-for-sale/hockney-peter
Examples of this print can be found in the permanent collections of:
Victoria & Albert Museum, London
ACE Museum, Los Angeles
Tate Gallery, London
Fitzwilliam Museum, Cambridge
https://www.archeus.com/artists/art-for-sale/hodgkin-bedroom
Examples of this print can be found in the permanent collections of:
Victoria & Albert Museum, London
Tate Gallery, London
Art Gallery of Toronto, Ontario
https://www.archeus.com/artists/art-for-sale/hodgkin-interior-with-figure
'Howard Hodgkin was teaching at Corsham, so the first print was proofed there, and then editioned at Alecto...One colour a day...for an edition of seventy-five this meant a long day.' Ian Lawson, printer, 1999.
Examples of this print can be found in the permanent collections of:
Victoria &
https://www.archeus.com/artists/art-for-sale/hodgkin-indian-room
A copy of this print can be found in the permanent collection of The British Council.
https://www.archeus.com/artists/art-for-sale/hodgkin-birthday-party
An example of this print can be found in the permanent collection of:
The Tate Gallery, London
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Examples of this print can be found in the permanent collections of:
Tate Gallery, London
The British Council
https://www.archeus.com/artists/art-for-sale/hodgkin-lotus
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To the hasty glance, Hodgkin's works are purely abstract, however very often they are anything but. In Bleeding Hodgkin evokes the exuberance and inventiveness of 18th-century Indian chintz hangings, which were large enough to cover entire walls. This relationship explains the Victoria and Albert
https://www.archeus.com/artists/art-for-sale/hodgkin-bleeding
An example of this print can be found in the permanent collection of:
The Tate Gallery, London
https://www.archeus.com/artists/art-for-sale/caulfield-paris-separates
An example of this print can be found in the permanent collections of:
The Tate Gallery, London
The British Council
https://www.archeus.com/artists/art-for-sale/caulfield-curtain-and-bottle
An example of this print can be found in the permanent collection of:
The Tate Gallery, London
https://www.archeus.com/artists/art-for-sale/caulfield-night-sky
The bicentennial portfolio tribute, For John Constable, published by Bernard Jacobson in 1976 included this work by Patrick Caulfield, as well as works by Peter Blake, Bill Brandt, Barry Flanagan, Duncan Grant, David Hockney, Howard Hodgkin, John Hoyland, Richard Smith and others.
A copy of the
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Created for and donated to the Serpentine Gallery, London, by the artist on the occasion of the exhibition Bridget Riley: Paintings from the 1960s and 70s.
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This exceptionally rare early lithograph by William Scott was conceived and first executed in 1952, when it was exhibited at the Redfern Gallery. The present copy is dated 1953, and numbered from an edition of 60, however it is extremely unlikely that more than a small number of the planned editio
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An artist's proof dedicated to the distinguished art critic Edward Lucie-Smith
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This black and white painted ceramic plate, with subtle colouring, is one of the most elegant ceramics produced by Picasso at the Madoura workshop.
Another example of this plate, from the collection of the Madoura workshop, sold for £37,250 at Christie's South Kensington in June 2012.
https://www.archeus.com/artists/art-for-sale/picasso-visage-de-femme
https://www.archeus.com/artists/art-for-sale/wesselmann-stockinged-nude-14
The full set, framed, of the series of 9 prints:
i) Benedict
ii) That Idiot Col. Howard No Doubt
iii) Apollo
iv) On The Rapido
v) Fog
vi) Roma
vii) Via
viii) Marsyas
ix) The Mountains and Valleys of Sunny Italy
https://www.archeus.com/artists/art-for-sale/odonoghue-crossing-the-rapido
Originally created for the Zoo Latin American Portfolio 2006, curated by Adriano Pedrosa and published by Archeus.
Lanteri has chronicled the closures of commercial establishments in the city of Buenos Aires since 2001, when Argentina’s social and economic crisis took hold. The archive of images
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This work was started in 1979 and completed some time before being exhibited at the Harcus Krakow Gallery in May 1980. It was shown under the title Time Present and Time Past, which comes from the first line of T.S. Eliot's poem Burnt Norton of 1935, the first of his Four Quartets. The printed col
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