Art: Blondes - Maripol
https://www.archeus.com/artists/art-for-sale/maripol-blondes
Searched for Total results: 1350.
The subject of shoes recurs frequently in Warhol's work, and has its roots in his advertising work for women's footwear from the 1950s, which were widely recognised. By the 1980s, Warhol had embarked on a techique of incorporating diamond dust (the factory floor by-product of the making of industr
https://www.archeus.com/artists/art-for-sale/warhol-shoes
The collection comprises:
Twentysix Gasoline Stations, 1963
National Excelsior-published book by the artist
From the First Edition of 400
(signed, ‘Ed Ruscha’ in ink on the dedication page)
Most handsome, near fine condition w/ original glassine
Engberg B1
Various Small Fires (an
https://www.archeus.com/artists/art-for-sale/ruscha-a-complete-signed-collection-of-ed-ruscha-first-edition-artists-book
Currently in the collection of the artist.
https://www.archeus.com/artists/art-for-sale/maripol-madonna-in-a-maripol-outfit
Currently in the collection of the artist.
https://www.archeus.com/artists/art-for-sale/maripol-andy-and-keith
Currently in the collection of the artist.
https://www.archeus.com/artists/art-for-sale/maripol-grace-and-dolph
Currently in the collection of the artist.
https://www.archeus.com/artists/art-for-sale/maripol-sade
Dating from 1966, this work bears close relation to a number of other studies made by the artist in the same year. It is particularly close in composition, when rotated 90 degrees, to the screenprint Winged Curve, 1966 (BRS 8).
Riley’s early black and white works marked a major breakthrough within h
https://www.archeus.com/artists/art-for-sale/riley-right-angle-curves-study-no4
https://www.archeus.com/artists/art-for-sale/francis-untitled-sf66-624
This collage includes fragments from the prints Yellow Flight, 1986, and Sirens II, 1988. An early version of the collage contained a sheet music fragment, which was subsequently painted over with black (as per studio photograph where it is visible). This work was untitled when the catalogue for t
https://www.archeus.com/artists/art-for-sale/motherwell-night-dream
The mailing label pasted in the lower centre of the collage is addressed to Motherwell from an unidentified person named Grohmann in Munich. This apparently led Motherwell to think of Will Grohmann (1887-1968), a German art historian and critic who wrote books on Wassily Kandinsky, Paul Klee and G
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https://www.archeus.com/artists/art-for-sale/bell-cube-53-dark-grey
"..Riley...initiated the extraordinary series of seven prints called Fragments, exhibited at Robert Fraser Gallery. Her catalogue note sums up the role of screen printing in her work at that time, a position which, almost forty years on, remains unchanged. 'During the preparatory work for a painti
https://www.archeus.com/artists/art-for-sale/riley-untitled-fragment-1
This large scale etching, virtually life size, was made by Lucian Freud after his major painting of the same subject titled Lying by the Rags, 1988-89 (illustrated below) which is in the Astrup Fearnley Collection, Oslo, Norway. The sitter, artist Sophie de Stempel, is the subject of another major,
https://www.archeus.com/artists/art-for-sale/freud-head-and-shoulders-of-a-girl
Richard Prince's Nurse images use, as their starting point, the pulp fiction genre of medical romance novels. Scanning in the front covers of stories with Nurse in the title, Prince then develops the imagery. The nurse’s face mask is accentuated, enhancing her anonymity, thus making her a channel
https://www.archeus.com/artists/art-for-sale/prince-dude-ranch-nurse
Following a visit to Oklahoma, Hodgkin was unable to forget having heard about the violent storms which had engulfed the state shortly before. It was at that time that he also recalled having been profoundly moved, many years earlier, by the stormy skies painted by the American artist Thomas Hart
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https://www.archeus.com/artists/art-for-sale/dyson-avocado-bathroom
Containing Elegy to the Spanish Republic language and symbolic black and red colouring, further examples of this significant lithograph are held in the Tate Gallery, London, and the Walker Art Center, Minneapolis.
In San Francisco in 1937, Motherwell heard the novelist and art theorist André Mal
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Throughout his career Motherwell was drawn to automatism. However, unlike the Surrealists who believed art should be free of any conscious control, Motherwell sought to create a balance between automatism and formal beauty. Splashing, dropping, pouring, smudging, and doodling were all automatic el
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https://www.archeus.com/artists/art-for-sale/boyd-between-the-idea-and-reality
Although printed in 1966, Winged Curve was not published at that time. The work had been printed on rectangular sheets and Riley felt, then, that the image had not quite worked. The edition was kept in the studio and it was upon rediscovery and long consideration, around the turn of the century, t
https://www.archeus.com/artists/art-for-sale/riley-winged-curve
"..Riley...initiated the extraordinary series of seven prints called Fragments, exhibited at Robert Fraser Gallery. Her catalogue note sums up the role of screen printing in her work at that time, a position which, almost forty years on, remains unchanged. 'During the preparatory work for a painti
https://www.archeus.com/artists/art-for-sale/riley-untitled-fragment-7
'Making sculpture stems from a need to leave a trace of existence, but there is an even greater need to challenge existence itself with mute objects that look back at us and question our materiality with their own.' (Antony Gormley cited in: Michael Mack, (ed.), Antony Gormley, Göttingen 2007, p.
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https://www.archeus.com/artists/art-for-sale/tomasello-objet-plastique-no-635
In 2000, Christopher Wool made three screenprints based on a painting. My House I, II and III.
Wool made the image in stages, using 'acts of removal'. He first photographed the painting, then xeroxed the image, then rephotographed it, creating an image that now seems like a subconscious reminder
https://www.archeus.com/artists/art-for-sale/wool-my-house-i
Freud's second etching of his whippet Pluto, the first having been of the dog as a sleeping puppy in 1988, is an affectionate portrait as it comes to the end of its life. In fact Pluto would live for another three years, but Freud most probably had concerns about the dog's health, given the crosse
https://www.archeus.com/artists/art-for-sale/freud-pluto-aged-twelve
This pair of spray painted metal panels by Keith Haring was part of a unique continuous frieze by the artist, of an astounding 255 feet in length, which was created along a fence that lined FDR Drive at Asphalt Green Park in New York City. Painted in situ during 1984, the 30 or so panels were take
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An original ‘Inflatable Baby’ from Keith Haring's infamous New York store, The Pop Shop, made in 1985. These inflatable multiples were sold by Haring as affordable sculpture, and fitted perfectly with his ethos surrounding the distribution of ideas.
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https://www.archeus.com/artists/art-for-sale/morellet-variations-sur-structure
The word itself is probably the single most indentifiable theme in Ruscha’s work. In 1961 Ruscha travelled through France and made a number of paintings of just words alone, words that interested him, “Boulangerie” springs to mind for example. Ruscha often said that “The word chooses to assert its
https://www.archeus.com/artists/art-for-sale/ruscha-little-sister
https://www.archeus.com/artists/art-for-sale/hirst-calcium-hydride
Foremost among the generation of British artists who ‘rediscovered’ abstraction during the 1940s, Mary Martin studied painting at the Royal College of Art, and worked as a designer early in her career before producing her first abstract paintings. These experiments in abstraction quickly translate
https://www.archeus.com/artists/art-for-sale/martin-rotation-mm1
Flowers first appeared as a theme in 1964 with an exhibition of paintings on the subject at the Leo Castelli Gallery in New York City. The image comes from a photograph of hibiscus flowers by Patricia Caulfield included in the book Modern Photography: the appropriated image was transferred to silk
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https://www.archeus.com/artists/art-for-sale/soto-multiple-ii-from-jai-alai-series
From its first appearance in his artist's book Twentysix Gasoline Stations and its subsequent translation into a masterpiece of American painting in 1964 as Standard Station, Amarillo, Texas, the Standard gasoline station is arguably Ruscha's most iconic image.
Its stations ubiquitous across 20t
https://www.archeus.com/artists/art-for-sale/ruscha-i-standard-station-ii-mocha-standard-iii-cheese-mold-standard-with-o
Carl Andre's 1973 exhibition at the Portland Center for the Visual Arts '144 Blocks & Stones, Portland Oregon' was a masterful installation of minimalist grandeur. The artist selected stones from a local river and placed them on a uniform 12 x 12 grid of concrete blocks that took up much of th
https://www.archeus.com/artists/art-for-sale/andre-block-stone-35-portland-oregon
At the end of the 1960s, Ed Ruscha’s “romance with liquids” produced some of his most iconic and ingenious work. “That was about 1966,” said the artist, “and I had just seen the end of the road with a certain kind of painting I was doing. I don’t know why it happened, but close-up views of liquids
https://www.archeus.com/artists/art-for-sale/ruscha-anchovy
The full set of Wool's sought-after My House series, published in 2000.
https://www.archeus.com/artists/art-for-sale/wool-my-house-i-ii-iii-three-works-the-full-set
A copy of this print is held in the collection of the de Young | Legion of Honour museum in San Francisco.
https://www.archeus.com/artists/art-for-sale/ruscha-sea-of-desire
Hollywood was the first screenprint in colours which Ruscha printed and published by himself, and he did so through a process of trial-and-error. Two years previously, in 1966, he had produced Standard Station with the printer Art Krebs and had, no-doubt, felt emboldened by the experience.
“…(he
https://www.archeus.com/artists/art-for-sale/ruscha-hollywood
A set of the published portfolio of Punctum, comprising 7 works only, is held in the permanent collection of MoMA, New York.
https://www.archeus.com/artists/art-for-sale/mavignier-punctum-a-rare-proof-collection-of-nine-screenprints-containing-t
Untitled (based on Primitive Blaze) was held back from publication by Bridget Riley, who initially considered the image to be not as she had imagined, hence the title. A more finely drawn version was published two years later: Untitled (based on Blaze) of 1964 (Schubert 4). Rediscovering the undis
https://www.archeus.com/artists/art-for-sale/riley-untitled-based-on-primitive-blaze
According to André Garitte (founder of the René Magritte Museum), who acquired this work from Irene Scutenaire (Magritte's principal collector) in 1991, it was made for the back of a box for Scutenaire's copy of Eluard's Examples. It is not clear whether this was the first edition of Les Nécessité
https://www.archeus.com/artists/art-for-sale/magritte-plant-with-flowers-and-leaves
The early 1970s were a prolific period for Ruscha. In addition to his activities in Europe, he continued to make prints in Los Angeles. During his 1969 residence at Tamarind, he had formed a working relationship with Jean Milant, one of the workshop’s printers, who had decided he wanted to open hi
https://www.archeus.com/artists/art-for-sale/ruscha-lisp
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https://www.archeus.com/artists/art-for-sale/morellet-tous-les-4-tous-les-3
DO ING is a large and important work on paper from the early 1970s, and is the very first to exhibit the fractured setting of a common word, which gives the viewer pause to question the meaning of what they are reading.
Excerpt from Robert Enright, "The Painted Whirred: Ed Ruscha's Spin on Langu
https://www.archeus.com/artists/art-for-sale/ruscha-do-ing
Ra (Inverted) is the largest of the very few classic stripe editions that Bridget Riley has published, and is considered one of the greats.
https://www.archeus.com/artists/art-for-sale/riley-ra-inverted
Ossie Clark, one of the most influential British fashion designers of the 1960s, is equally remembered as the subject of one of Britain’s greatest paintings: Mr and Mrs Clark and Percy by David Hockney, in the collection of the Tate Gallery where it is counted amongst their most visited works.
Os
https://www.archeus.com/artists/art-for-sale/hockney-ossie
"When I was in college in the mid-1970s, Carl Andre was god. For those of us striving to be serious artists, writers, and art historians, Andre was the paragon. His art was coolly intellectual, deceptively simple and austere, yet surprising and provocative... I knew about Carl’s poems early on...F
https://www.archeus.com/artists/art-for-sale/andre-de-kooning-gorky-pollack
One of the major figures in the tendency towards geometric abstraction in the mid-20th century, François Morellet was a giant of the avant-garde. His work investigated mathematical order and sequence and its anti-matter, chaos and chance. Unlike his American contemporary, Sol Lewitt, who exhibited
https://www.archeus.com/artists/art-for-sale/morellet-10-lignes-au-hasard-hybrides-rouge-et-blanc
The punchline of Made In California, Ruscha's 1971 screenprint, is that the ink is matched perfectly to the colour of freshly-squeezed orange juice. So, conceptually, the work is aligned with the earlier Tamarind Lithographs Anchovy and Mint. The print was issued to coincide with the exhibition Ma
https://www.archeus.com/artists/art-for-sale/ruscha-made-in-california
Morellet's Sphère-Trame was conceived in 1962, and was made in several different sizes. It is a defining object of the mid-century movement in minimalist sculpture, and displays extraordinary optical properties when suspended at eye-level.
This size was planned as an edition of 50, although only
https://www.archeus.com/artists/art-for-sale/morellet-sphere-trame
In 2000, Christopher Wool made three screenprints based on a painting. My House I, II and III.
Wool made the image in stages, using 'acts of removal'. He first photographed the painting, then xeroxed the image, then rephotographed it, creating an image that now seems like a subconscious reminder
https://www.archeus.com/artists/art-for-sale/wool-my-house-ii
Untitled (Corner of Desire and Piety) III is a work from Bradford's seminal series of "Merchant Posters". The original printed posters, collected by Bradford, are billstuck advertisements that target an area's vulnerable lower-income residents which are then worked upon by the artist. Bradford's p
https://www.archeus.com/artists/art-for-sale/bradford-untitled-corner-of-desire-and-piety-iii
Blaze is the defining image of Bridget Riley's early career. A flickering, vibrating vortex of black and white that is instantly recognisable. A proof for this print is held in the permanent collection of the Tate Gallery.
https://www.archeus.com/artists/art-for-sale/riley-untitled-based-on-blaze
This 32-inch Homage to the Square, in quiet tones of grey, was sold by A/P-M to a private American collection in 2016. It was one of the first Josef Albers paintings to be shown by David Zwirner following their representation of The Josef and Anni Albers Foundation which began that year, and was pro
https://www.archeus.com/artists/art-for-sale/albers-study-for-homage-to-the-square
Created in 1962, Circular Movement is only the third screenprint to have been made by Bridget Riley, and one of only 7 early black and white prints on paper made by the artist between 1962 and 1966. She would not make another black and white print until 2015.
https://www.archeus.com/artists/art-for-sale/riley-untitled-circular-movement
Punk, a 1966 graphite drawing by Ed Ruscha is the only iteration of this word to appear in the artist's early work. It is one of 25 drawings of different words produced in a similar format throughout that year, most of which are now in notable private American collections.
The word Punk carries
https://www.archeus.com/artists/art-for-sale/ruscha-punk
https://www.archeus.com/artists/art-for-sale/albers-desert-dusk-study-to-homage-to-the-square
For his retrospective exhibition at the Royal Academy in 2015, Ai Weiwei created 106 coloured drip paintings. These paintings on thick paper were individually made by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each a bold, callig
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https://www.archeus.com/artists/art-for-sale/levin-support-surface-leaving-a-print
https://www.archeus.com/artists/art-for-sale/knoebel-22-ohne-titel-untitled-22
This 16 inch, 1959 Albers is a colour experiment around Cadmium Yellow. As is customary for the artist, the reverse of the Homage to the Square works contains copious handwritten notes about the paints and varnishes used. In the present work, these notes reveal the central concern of this painting
https://www.archeus.com/artists/art-for-sale/albers-homage-to-the-square499
https://www.archeus.com/artists/art-for-sale/soto-tige-vibrante
https://www.archeus.com/artists/art-for-sale/soto-kinetic-object
By 1970, Ruscha's printmaking had become distinctly avant-garde and he felt driven to experiment with unconventional "inks" such as beer, blood and chocolate. His Chocolate Room at the 1970 Venice Biennale was one of the stand-out presentations that year, and, returning to LA, he had a mind to pus
https://www.archeus.com/artists/art-for-sale/ruscha-fruit-metrecal-hollywood
In 1966/67, Bridget Riley ended her production of the black and white images which had mostly been her work for the previous 5 years, and started off towards colour. Several paintings from this short transitional period, mostly in museums and institutional collections around the world, form an exp
https://www.archeus.com/artists/art-for-sale/riley-untitled-study-towards-deny-and-nineteen-greys
In 1990, Richard Serra completed the environmental work Áfangar (Standing Stones) on Viðey island, off Reykjavík in Iceland. The topographical installation comprises 18 basalt columns which stand in pairs around the circumference of the western part of the island: it still stands today and regular
https://www.archeus.com/artists/art-for-sale/serra-videy-afanger-1
https://www.archeus.com/artists/art-for-sale/riley-blue-dominance
The Chicago Seven (originally the Chicago Eight, and also known as the Conspiracy Eight / Conspiracy Seven) were seven defendants: Abbie Hoffman; Jerry Rubin; David Dellinger; Tom Hayden; Rennie Davis; John Froines and Lee Weiner and were presented by the federal government with charges related to
https://www.archeus.com/artists/art-for-sale/riley-untitled-chicago-eight
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printin
https://www.archeus.com/artists/art-for-sale/hockney-landscape-with-a-plant
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printin
https://www.archeus.com/artists/art-for-sale/hockney-still-life-with-curtains
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printin
https://www.archeus.com/artists/art-for-sale/hockney-lemons-oranges
In 1978 David Hockney lost his driving licence shortly before he was due to travel to America. Concerned that he might get into trouble for driving in the US without one, he decided to stay in New York a while. When a replacement caught up with him, he would travel on to California. During this en
https://www.archeus.com/artists/art-for-sale/hockney-sunflower
In June 1962, Andy Warhol met Henry Geldzahler for lunch at Serendipity in New York. The young Metropolitan Museum curator had realised Warhol’s potential earlier than most, and badly wanted him to move on from the consumerist homages he had become known for, to get serious, and to make something
https://www.archeus.com/artists/art-for-sale/warhol-electric-chairs
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printin
https://www.archeus.com/artists/art-for-sale/hockney-the-tall-tree