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James Turrell, noted in particular for his sky spaces and light projections, watched the development of the hologram throughout the 1960s, keenly aware of its potential artistic merit. The development of the laser made the creation of holograms possible, and its invention was so radical that the H
https://www.archeus.com/artists/art-for-sale/turrell-hologram-13
Predating the artist's Turner Prize win (2003), this early work by Grayson Perry has auto-biographical elements (he was born in Essex) and is highly technical. The use of embossing, glazing and photographic transfers requires several firings.
https://www.archeus.com/artists/art-for-sale/perry-essex-middlesex-sussex
Alexander Calder became the giant of twentieth-century American art that he is by pioneering new and innovative methods of creating sculptural work on all scales. By experimenting with seemingly innocuous and mundane materials such as wire and metal, Calder created the works of art he is now most
https://www.archeus.com/artists/art-for-sale/calder-hair-comb
Executed in 1971, the present work is Riley's first screenprint in colours and relates directly to the pivotal painting Zing 1 of the same year, a study for which was illustrated on the cover of Studio International published that summer. The issue coincided with Riley’s landmark touring European
https://www.archeus.com/artists/art-for-sale/riley-firebird1020
"..Riley...initiated the extraordinary series of seven prints called Fragments, exhibited at Robert Fraser Gallery. Her catalogue note sums up the role of screen printing in her work at that time, a position which, almost forty years on, remains unchanged. 'During the preparatory work for a painti
https://www.archeus.com/artists/art-for-sale/riley-untitled-fragment-6
"..Riley...initiated the extraordinary series of seven prints called Fragments, exhibited at Robert Fraser Gallery. Her catalogue note sums up the role of screen printing in her work at that time, a position which, almost forty years on, remains unchanged. 'During the preparatory work for a painti
https://www.archeus.com/artists/art-for-sale/riley-untitled-fragment-2
"I do think the iPad is a new art form. Much better than a lithograph. Inkjet printing is more vivid—the colour stays exactly the same. The prints use an awful lot of pigment. But the bigger they get, they don’t fade, don’t pixelate." David Hockney
Works from the series The Arrival of Spring in
https://www.archeus.com/artists/art-for-sale/hockney-the-arrival-of-spring-in-woldgate-east-yorkshire-in-2011-twenty-ele
Lightness of Being, Chris Levine's unconventional portrait of Queen Elizabeth II with her eyes closed, is the artist's best known work. Levine explained that the portrait came about as a "happy accident". He was commissioned to create a holographic portrait of the Queen, using a high-resolution di
https://www.archeus.com/artists/art-for-sale/levine-lightness-of-being
Saskia de Tollenaere works in a variety of media, and is particularly noted for her carefully crafted sculptural portraits of historical figures. Each portrait skull is rich with symbolism, much of which is not immediately obvious to the viewer.
In this portrait of Catherine de Medici, the skull
https://www.archeus.com/artists/art-for-sale/de-tollenaere-catherine-de-medici
Soon after her arrival in New York in 1958, Kusama began a series that she referred to as Infinity Nets, an important body of work that encompasses paintings, soft sculptures, collages, films, and installations. Her acclaimed all-white, patterned, and monochromatic Infinity Nets paintings allude t
https://www.archeus.com/artists/art-for-sale/kusama-infinity-nets-kupp
Based on drawings made at the pool of Ken Tyler's house in New York in 1978, Hockney embarked on an ambitious series of 11 Lithographs of Water, which were completed two years later as well as a book and accompanying print, Paper Pools, which documented the creation of the famous series of works.
https://www.archeus.com/artists/art-for-sale/hockney-pool-made-with-paper-and-blue-ink-for-book-from-paper-pools
This edition was the first print ever made by Pierre Soulages, dating from 1952. Soulages' first explorations in print were in the medium of etching and aquatint. Soulages was persuaded to try etching by Mme Lacourière, the wife of a printer and publisher, who had been inspired to approach the art
https://www.archeus.com/artists/art-for-sale/soulages-eau-forte-i
Soulages’ natural etching style had been to scrape away the varnished surface to expose the copper plate, in gestures that moved back towards him, rather than to incise by way of a pushing motion. When a design had begun to take shape, the copper plate would be bathed in acid and the acid would bite
https://www.archeus.com/artists/art-for-sale/soulages-eau-forte-ix
This work was created to celebrate the occasion of the 1988 Seoul Olympics.
https://www.archeus.com/artists/art-for-sale/soulages-serigraphie-n-18
Inspired by Asafo flags, which provided visual representations of military companies, especially among the Fante in present-day Ghana from the 18th century onwards, Grayson Perry designed this flag for an imaginary motorcycle gang. Published on the occasion of their Grayson Perry exhibition The Mo
https://www.archeus.com/artists/art-for-sale/perry-gay-black-cats-mc
This edition was donated to the Friends of the Gemeentemuseum (now Kunstmuseum Den Haag) on the occasion of the unveiling of Bridget Riley's first glass window , Dance.
https://www.archeus.com/artists/art-for-sale/riley-sonnet
Ever since the onset of photography, the roles of the hand and the arm in making art have been subject to doubt. Once the definitive means of bringing an idea into form, these human appendages could seem feeble or quaint in an age of science and industry. Allowing gravity to participate in marking
https://www.archeus.com/artists/art-for-sale/baldessari-throwing-three-balls-in-the-air-to-get-a-straight-line-best-of-t
The exhibition catalgoue accompanying Miyake's 2006 show at the Sandra and David Bakalar Gallery: Massachusetts College of Art. The book comes complete with a double page of Miyake stickers as issued.
'Beaver No Seikatsu' may be translated as 'Life of Beaver'.
https://www.archeus.com/bookshop/title/miyake-shintaro-miyake-presents-beaver-no-seikatsu
The catalogue published to accompany the exhibition 'William Scott', Hanover Gallery, London, 17 May - 17 June 1961.
https://www.archeus.com/bookshop/title/scott-w-scott-hanover-gallery-1961
Exhibition catalogue for 'william scott recent paintings', Hanover Gallery, London, 5 June - 6 July 1963
https://www.archeus.com/bookshop/title/scott-william-scott-recent-paintings-1963
The exhibition catalogue produced to accompany 'WILLIAM SCOTT / Works from the Scott Collection / 1950s - 1970s', Denise Bibro Fine Art Inc., New York, April 8 - June 5, 2004. Includes the original invitation to the exhibition as well as the original typed checklist.
https://www.archeus.com/bookshop/title/scott-william-scott-works-from-the-scott-collection
The exhibition catalogue produced to accompany 'WILLIAM SCOTT Paintings on Paper and Canvas', André Emmerich Gallery, April 1 - 25, 1992
https://www.archeus.com/bookshop/title/scott-william-scott-paintings-on-paper-and-canvas
The exhibition catalogue produced to accompany 'WILLIAM SCOTT paintings 1953-1986', Gimpel Fils, London, 19 May - 20 June 1987.
https://www.archeus.com/bookshop/title/scott-william-scott-paintings-1953-1986
The exhibition catalogue produced in an edition of 1,000 to accompany 'William Scott', Kerlin Gallery, Dublin, 5th -30th October, 1991. An original invitation to the exhibition is included with the catalogue.
https://www.archeus.com/bookshop/title/scott-william-scott-kerlin-gallery
The exhibition catalogue produced in a limited run of only 700 copies to accompany the show 'William Scott, La voce dei colori', Lorenzelli Arte, Milan, 17 March - 7 May 2005
https://www.archeus.com/bookshop/title/scott-william-scott-la-voce-dei-colori
The de facto catalogue raisonné of the prints of William Scott, with chronological checklist (see http://en.wikipedia.org/wiki/Brian_Balfour-Oatts). Published to accompany the exhibition 'William Scott: A Survey of his Original Prints', Archeus Fine Art, London, 2-26 February, 2005.
https://www.archeus.com/bookshop/title/scott-william-scott-a-survey-of-his-original-prints
The exhibition catalogue produced to accompany 'Victor Vasarely' to Eidos Immagini Contemporanee, Asti, Italy (11th December, 2004 - 27th January, 2005).
Written in Italian.
https://www.archeus.com/bookshop/title/vasarely-victor-vasarely
The box set of catalogues for Damien Hirst's 'Beautiful Inside My Head Forever' auctions at Sotheby's (London), September 2008.
https://www.archeus.com/bookshop/title/beautiful-inside-my-head-forever
The catalogue produced to accompany the exhibition 'Richard Wilson - Jamming Gears' at the Serpentine Gallery, London (15th August - 15th September, 1996).
https://www.archeus.com/bookshop/title/wilson-richard-wilson-jamming-gears
The catalogue produced to accompany the exhibition 'Homage 10x5 Blake's Artists' at Waddington Galleries (17th November - 11th December, 2010)
https://www.archeus.com/bookshop/title/blake-peter-blake-homage-10x5-blakes-artists
The catalogue produced to accompany the exhibition 'Hui Zhang: Imaginary Tensity' at Beijing Gallery Space, China (1st July - 20th July, 2006).
https://www.archeus.com/bookshop/title/zhang-hui-zhang-imaginary-tensity
The catalogue accompanying the exhibition 'Matthias Weischer' at Museum der Bildenden Künste Leipzig (13th November, 2005 - 15th January, 2006) and touring to: Ludwig Forum Für Internationale Kunste, Aachen (10th February - 16th April, 2006). Published on the occasion of the Art Prize of the Leipz
https://www.archeus.com/bookshop/title/weischer-matthias-weischer
The catalogue produced to accompany the exhibition 'Thomas Demand: L'Esprite d'Escalier' at Irish Museum of Modern Art (28th February - 3rd June, 2007).
https://www.archeus.com/bookshop/title/demand-thomas-demand-lesprit-descalier
The catalogue produced to accompany the exhibition 'Edgar Degas: 1837-1917' at Browse & Darby, London (11th April - 13th May, 1989).
https://www.archeus.com/bookshop/title/impressionist-modern-art-edgar-degas-1837-1917
The catalogue for the exhibition 'Maurice Cockrill R A' at Archeus Fine Art, London (11th September - 28th September, 2002)
https://www.archeus.com/bookshop/title/maurice-cockrill-r-a
The catalogue produced to accompany the exhibition 'John Boyd: A Partial History of the Spurious II - An exhibition of recent paintings' at Lydon Fine Art, Chicago (16th July - 15th September, 1999).
https://www.archeus.com/bookshop/title/boyd-john-boyd-a-partial-history-of-the-spurious-ii-1999
The catalogue produced to accompany the exhibition 'Gina Burdass' at Akademie der Künste (29th June - 14th August, 2011).
https://www.archeus.com/bookshop/title/burdass-gina-burdass
The catalogue produced to accompany the exhibition 'MoMA at EL MUSEO: Latin American & Carribean Art from the collection of the Museum of Modern Art' at El Museo del Barrio, New York (4th March - 25th July, 2004).
https://www.archeus.com/bookshop/title/latin-american-art-latin-american-caribbean-art-moma-at-el-museo
The catalogue produced to accompany the exhibition ' Wifredo Lam: The Messenger' at Tresart, Miami (17th march - 17th April, 2006).
https://www.archeus.com/bookshop/title/wifredo-lam-the-messenger
The catalogue produced to accompany the exhibition ‘Smoke Signals’ at Purdy Hicks gallery, London (5th May to 6th June, 2000).
https://www.archeus.com/bookshop/title/smoke-signals-hughie-odonoghue
The catalogue produced to accompany the exhibition 'William Scott & Victor Pasmore' at Kunsthalle, Bern (12th July - 18th August, 1963).
https://www.archeus.com/bookshop/title/scott-william-scott-victor-pasmore
The catalogue produced to accompany the exhibition 'William Scott: Paintings, Drawings and Gouaches 1938-71' at The Tate Gallery, London (19th April - 29th May, 1972).
https://www.archeus.com/bookshop/title/scott-william-scott-paintings-drawings-and-gouaches-1938-71
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