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'Jean-Michel was at the apartment in the afternoon. Keith had his studio there and they were hanging out. Keith had been asked to do a summer school in Brooklyn drawing with kids. He was thinking about what to do, how to engage the kids together; a piece of paper each, or drawing together, swapping
https://www.archeus.com/artists/art-for-sale/untitled-ok-so-we-did-suppress-thier-tar-roof-tar-roof-tarroof-jean-michel-basquiat-and-keith-haring
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/apples-grapes-lemon-on-a-table-david-hockney
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/stanley-in-a-basket-october-1986-david-hockney
John Chamberlain was born in 1927 in Rochester, Indiana. He grew up in Chicago and, after serving in the navy from 1943 to 1946, attended the Art Institute of Chicago from 1950 to 1952. At that time, he began making welded steel sculptures influenced by the work of David Smith. In 1955 and 1956, Cha
https://www.archeus.com/artists/john-chamberlain
Hans Hartung was born on September 21, 1904, in Leipzig, Germany. He cultivated interests in philosophy, astronomy, music, and religion at a young age before he turned to painting. Early in his career he found inspiration in the works of Rembrandt van Rijn and Francisco de Goya, and later influences
https://www.archeus.com/artists/hans-hartung
Jean Dubuffet was born on July 31, 1901, in Le Havre, France. He attended art classes in his youth and in 1918 moved to Paris to study at the Académie Julian, which he left after six months. During this time, Dubuffet met Raoul Dufy, Max Jacob, Fernand Léger, and Suzanne Valadon and became fascinate
https://www.archeus.com/artists/jean-dubuffet
Kazuo Shiraga, known for his dynamic performance paintings, was a pivotal member of the remarkable avant-garde art collective Gutai Bijutsu Kyokai. As Japan’s first radical postwar artistic movement, the Gutai group rejected tradition in favor of performative expression and physical engagement with
https://www.archeus.com/artists/kazuo-shiraga
One day, whilst working and learning the Eau-forte (etching and aquatint) printing technique in Lacourière’s studio, Soulages made an accidental discovery which changed his outlook entirely.
Soulages’ natural etching style had been to scrape away the varnished surface to expose the copper plate, in
https://www.archeus.com/artists/art-for-sale/eau-forte-xviii-pierre-soulages
One day, whilst working and learning the Eau-forte (etching and aquatint) printing technique in Lacourière’s studio, Soulages made an accidental discovery which changed his outlook entirely.
Soulages’ natural etching style had been to scrape away the varnished surface to expose the copper plate, in
https://www.archeus.com/artists/art-for-sale/eau-forte-xxv-pierre-soulages
'I don't paint light. I present a colour situation which releases light as you look at it.'
From 1974 until 1979, the fundamental unit of Bridget Riley's paintings was the curve. A broadening and a deepening of Riley's understanding of the relation of colour and light can be discerned in her curve p
https://www.archeus.com/artists/art-for-sale/series-35-olive-added-red-and-blue-first-two-colour-twist-violet-and-green-second-two-colour-twist-reverse-diagonal-bridget-riley
Soulages’ natural etching style had been to scrape away the varnished surface to expose the copper plate, in gestures that moved back towards him, rather than to incise by way of a pushing motion. When a design had begun to take shape, the copper plate would be bathed in acid and the acid would bite
https://www.archeus.com/artists/art-for-sale/eau-forte-xb-pierre-soulages
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/man-reading-stendahl-july-1986-david-hockney
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/red-blue-wicker-july-1986-david-hockney
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/celia-with-chair-march-1986-david-hockney-2
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/waving-april-1986-david-hockney
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/walking-june-1986-david-hockney
"What fascinates me is not just technology but the technology of picture-making,” says Hockney. “I spend more time painting, of course, but I treat the iPad as a serious tool. The iPad is influencing the paintings now with its boldness and speed.”
So said David Hockney in a Los Angeles Times intervi
https://www.archeus.com/artists/art-for-sale/dandelions-david-hockney
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing
https://www.archeus.com/artists/art-for-sale/three-black-flowers-may-1986-david-hockney
Born in 1936 in Philadelphia, Paul Waters attended Saturday classes at the city's Fleisher Memorial Art School. The artist recalled “They let me use my fingers instead of brushes”.
Waters graduated from Goddard College in Plainfield, Vermont and received his Master’s degree from the Bank Street Co
https://www.archeus.com/artists/paul-waters
One of the most versatile and celebrated British artists of all time, David Hockney has worked across a multitude of mediums and projects from portraiture, opera set designs, photocollage and iPad drawings. Hockney’s etchings, however, perhaps best demonstrate the artist’s unique graphic style that
https://www.archeus.com/artists/art-for-sale/homemade-etching-david-hockney
Soulages’ natural etching style had been to scrape away the varnished surface to expose the copper plate, in gestures that moved back towards him, rather than to incise by way of a pushing motion. When a design had begun to take shape, the copper plate would be bathed in acid and the acid would bite
https://www.archeus.com/artists/art-for-sale/eau-forte-xa-pierre-soulages
'I don't paint light. I present a colour situation which releases light as you look at it.'
From 1974 until 1979, the fundamental unit of Bridget Riley's paintings was the curve. A broadening and a deepening of Riley's understanding of the relation of colour and light can be discerned in her curve p
https://www.archeus.com/artists/art-for-sale/elapse-bridget-riley
This print was produced for Parkett magazine, issue no. 61. Each issue of Parkett was produced in close cooperation with artists, 270 of whom were also commissioned to create an editioned artwork in the medium of their choice, which could range from sculpture, painting, photography, prints and drawi
https://www.archeus.com/artists/art-for-sale/going-across-bridget-riley
In 2007, Quinn presented a new series of works at White Cube in London: delicate flower sculptures based on hybridised and collaged parts of natural phenomena. Adapted from exotic orchids, fruit, vegetables and flowers, the artist brought these real elements together, cast them in bronze and then fi
https://www.archeus.com/artists/art-for-sale/the-nurseries-of-el-dorado-solaniumlycopersicum-vuium-marc-quinn
Marc Quinn is a notable member of the Young British Artists, an influential group of artists who came to prominence in the art world during the 1990s, including Damien Hirst, Cornelia Parker, Tracey Emin, among others. Quinn’s sculptures and installations examine identity, media and perception throu
https://www.archeus.com/artists/marc-quinn
In 1991, London's Royal College of Art refused Turk a degree on the basis that his final show, ‘Cave’, consisted of a whitewashed studio space containing only a blue heritage plaque commemorating his presence ‘Gavin Turk worked here 1989-91'. Instantly gaining notoriety through this installation, Tu
https://www.archeus.com/artists/gavin-turk
The solo exhibition in which this work was first shown consisted of references to Andy Warhol, including a performance at Riflemaker on July 16th, 2007 where one hundred artists, curators and writers were invited to the gallery to urinate on four canvases to create oxidisation, or piss, paintings.
https://www.archeus.com/artists/art-for-sale/camouflage-fright-wig-red-and-pink-gavin-turk
Born in Cape Town, South Africa, Lisa Brice grew up in South Africa during a particularly volatile time in the country’s history. This still informs the works she creates today.
In 1998, Brice travelled to London for a residency at Gasworks Studios. In 1999, she was invited to undertake a workshop i
https://www.archeus.com/artists/lisa-brice
Employing a multitude of borrowed art historical references, Brice depicts strangely familiar scenes in new and often unsettling ways. Where figures might previously have been depicted as objectified nudes or damsels in distress, Brice recasts them in new situations with a sense of autonomy. Brice h
https://www.archeus.com/artists/art-for-sale/ophelia-lisa-brice
Born in Altmar, New York, in 1885, Milton Avery moved with his family to Hartford, Connecticut in 1905. After studying at the Connecticut League of Art Students, he worked a succession of night jobs in order to paint during the daytime. Avery moved to New York in 1925 and in 1926 married Sally Miche
https://www.archeus.com/artists/milton-avery
A. R. Penck was born in 1939 in Dresden with the birth name Ralf Winkler, as a child he witnessed first hand the dreadful firebombing of the city and the end of WWII. In the early 1950s, following tuition with Jürgen Böttcher, he was invited to join the artist's group Erste Phalanx Nedserd. The pain
https://www.archeus.com/artists/a-r-penck
Initially conceived in 1989 and developed during the following years, Roy Lichtenstein began The Interiors, a series of work depicting ideal but banal domestic environments inspired by furniture ads the artist found in telephone books or on billboards. The works were created using a combination of p
https://www.archeus.com/artists/art-for-sale/the-living-room-from-interior-series-roy-lichtenstein
Bold, graphic and industrial are descriptors often applied to the work of Roy Lichtenstein, a pioneer of American Pop Art, and at first glance, place his commercially influenced artworks in binary opposition to the Impressionist paintings of Claude Monet. Yet, Lichtenstein frequently referenced the
https://www.archeus.com/artists/art-for-sale/water-lilies-with-willows-from-water-lilies-roy-lichtenstein
'I don't paint light. I present a colour situation which releases light as you look at it.'
From 1974 until 1979, the fundamental unit of Bridget Riley's paintings was the curve. A broadening and a deepening of Riley's understanding of the relation of colour and light can be discerned in her curve p
https://www.archeus.com/artists/art-for-sale/twisted-curve-horizontal-colour-movement-bridget-riley
Generally considered to be one of the most important living artists in the world, Gerhard Richter's diverse paintings cover a range of artistic genres, from Realism and Naturalism to Impressionism, Pop Art, Conceptualism, and Post-Abstract Expressionism.
Born in Dresden in 1932, Richter's childhood
https://www.archeus.com/artists/gerhard-richter
The Russian-born French painter Nicolas de Stäel was remarkable for his attempts to combine figuration and abstraction, during his short career, at a time when the two concepts seemed irreconcilable.Stäel was born into an aristocratic family in St. Petersburg that was forced to seek exile following
https://www.archeus.com/artists/nicolas-de-stael
This print is based on the wall drawing Composition with Circles 5, 2005 (BR 427), first installed in the exhibition Prolog, Akademie der Künste, Berlin in 2005.
https://www.archeus.com/artists/art-for-sale/composition-with-circles-5-bridget-riley
An American artist of German origin, Hans Hofmann was an influential 20th century painter and teacher whose work was critical in the development of abstract expressionism.
Born in 1880, he showed an early interest in science and mathematics but did not turn to fine art until he moved to Munich in
https://www.archeus.com/artists/hans-hofmann
Born Robert Clark in New Castle, Indiana, the state after which he changed his name 30 years later, Robert Indiana, was best known for the mid-1960s pop art classic Love.
In his New York studio he mapped the divisions of his country, reacting to the racial injustice and violence in the deep south In
https://www.archeus.com/artists/robert-indiana
On occasion ARCHEUS / POST-MODERN deals in fine and rare objects of Natural Prehistory.
https://www.archeus.com/artists/prehistoric-objects
Gogottes are prehistoric, naturally occurring sandstone concretions. They are formed from quartz crystals and calcium carbonate when superheated water extrudes through crevices over time into a basin of fine white silica sand. The silica then cements the sand together to form the gogottes' fluid lin
https://www.archeus.com/artists/art-for-sale/gogotte
Gogottes are prehistoric, naturally occurring sandstone concretions. They are formed from quartz crystals and calcium carbonate when superheated water extrudes through crevices over time into a basin of fine white silica sand. The silica then cements the sand together to form the gogottes' fluid lin
https://www.archeus.com/artists/art-for-sale/rare-gogotte-formation-prehistoric-objects
Gogottes are prehistoric, naturally occurring sandstone concretions. They are formed from quartz crystals and calcium carbonate when superheated water extrudes through crevices over time into a basin of fine white silica sand. The silica then cements the sand together to form the gogottes' fluid lin
https://www.archeus.com/artists/art-for-sale/rare-gogotte-formation-prehistoric-objects-2
Edmontosaurus was a large herbivorous dinosaur that lived during the late Cretaceous period. Its name means "Edmonton lizard" after the location of its discovery (Edmonton, Alberta, Canada). The species was part of the Hadrosauridae, or duckbill family of dinosaurs, known for their distinctive teeth
https://www.archeus.com/artists/art-for-sale/fossilised-skull-of-an-edmontosaurus-prehistoric-objects
Gogottes are prehistoric, naturally occurring sandstone concretions. They are formed from quartz crystals and calcium carbonate when superheated water extrudes through crevices over time into a basin of fine white silica sand. The silica then cements the sand together to form the gogottes' fluid lin
https://www.archeus.com/artists/art-for-sale/rare-gogotte-formation-prehistoric-objects-3
Gogottes are prehistoric, naturally occurring sandstone concretions. They are formed from quartz crystals and calcium carbonate when superheated water extrudes through crevices over time into a basin of fine white silica sand. The silica then cements the sand together to form the gogottes' fluid lin
https://www.archeus.com/artists/art-for-sale/rare-gogotte-formation-prehistoric-objects-4
Placenticeras (aka "flat horn") was a fast-swimming, carnivorous cephalopod—the taxonomic class that includes today's octopus, nautilus, and squid. Much like a submarine, these ammonites employed gas and fluid-filled chambers to regulate their position in the water column. The animals themselves liv
https://www.archeus.com/artists/art-for-sale/iridescent-ammonite-prehistoric-objects
Richard Pettibone came to prominence in the late 1960s as a leading figure in the Appropriation art movement. His practice involves making painstakingly intricate miniatures of now well-known paintings and sculptures by the likes of Brancusi, Warhol, Lichtenstein, a practice to which he has devoted
https://www.archeus.com/artists/richard-pettibone
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